🚚 Free Worldwide Shipping on All Orders!Shop Now
Edward Ruscha Catalogue Raisonné of the Works on Paper: Volume Two, 1977–1997
HomeStore

Edward Ruscha Catalogue Raisonné of the Works on Paper: Volume Two, 1977–1997

Edward Ruscha Catalogue Raisonné of the Works on Paper: Volume Two, 1977–1997

$200.00
Edward Ruscha Catalogue Raisonné of the Works on Paper: Volume Two, 1977–1997
$200.00

The Story

Volume two of this catalogue raisonné project compiles the more than one thousand unique works on paper that Ed Ruscha made between 1977 and 1997, the artist’s mid-career period, during which he achieved international renown. Highlights include Ruscha’s inimitable word and phrase works, made in organic materials, pastel, or acrylic; compositions featuring signature imagery (windows, ships, silhouetted objects and figures, and film closing credits); and drawings and studies related to important public commissions for the Miami-Dade Public Library, the Denver Central Library, and the Getty Center in Los Angeles. The publication features essays by series editor Lisa Turvey and art historian Gwen L. Allen.

Edward Ruscha Catalogue Raisonné of the Works on Paper: Volume Two, 1977–1997 - Image 2

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Edward Ruscha Catalogue Raisonné of the Works on Paper: Volume Two, 1977–1997 - Image 3

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Edward Ruscha Catalogue Raisonné of the Works on Paper: Volume Two, 1977–1997 - Image 4

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Description

Volume two of this catalogue raisonné project compiles the more than one thousand unique works on paper that Ed Ruscha made between 1977 and 1997, the artist’s mid-career period, during which he achieved international renown. Highlights include Ruscha’s inimitable word and phrase works, made in organic materials, pastel, or acrylic; compositions featuring signature imagery (windows, ships, silhouetted objects and figures, and film closing credits); and drawings and studies related to important public commissions for the Miami-Dade Public Library, the Denver Central Library, and the Getty Center in Los Angeles. The publication features essays by series editor Lisa Turvey and art historian Gwen L. Allen.